From Campbell Addy’s arresting first monograph to Joel Meyerowitz’s seminal 1990s survey of redheads
American artist Zora J Murff left a career in social work to pursue photography a decade ago, but he never left the communities he helped in that time behind.
His new book,, offers a confronting look at the divisive systems of privilege which have formed America past and present, while grappling with themes of Black identity and “the politics of self”. Recently on view in an exhibition held by Webber Gallery, the accompanying Aperture book is described by the publisher as “a chronicle of survival”.
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