Featuring ambitious works by the likes of Lucinda Childs and Anne Teresa De Keersmaeker, ‘Dance Reflections’ is taking over London’s most celebrated cultural institutions.
Back in 1961, Claude Arpels, a descendant of one of the two families that founded the famous French jewellery house of, was introduced to the choreographer and co-founder of the New York City Ballet, George Balanchine. While the Arpels dynasty had a longstanding appreciation for the art form – the maison even designed glittering brooches in the form of ballerinas back in the 1940s – it was this meeting that would solidify the relationship between the brand and the world of dance.
The performances are being held at a trio of London’s most venerable cultural institutions: the Royal Opera House, with its rich tradition of classical ballet; Sadler’s Wells, a historic theatre in the city’s Islington neighbourhood known for commissioning and platforming agenda-setting dance; and Tate Modern, the modern art colossus with a singularly progressive approach to programming and collecting dance pieces.
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