'There’s a pain to it as we grow. It’s painful. It has to be. It has to cost us because we have to let go of the past and we have to embrace a new version of ourselves, I think.' We can listen to Andrew Garfield preach all day.
, he starred as musical theater composer Jonathan Larson, who had so much to say about the world through his music that, for a generation of fans, his show, the new FX series based on the book by. The series centers on the gruesome 1984 double murder of a mother and daughter that shook a devout Mormon community in Utah, connecting the tragedy back to the founding of the Mormon church by Joseph Smith a century prior.
He is so thoughtful and considered about the questions being asked of him, the characters he is playing, and the ways in which his own humanity is changed by the art he is producing that you’re swept away as he speaks. “I think if we’re lucky, that happens over and over and over again, where we get to expand our consciousness,” he says. “The only way we expand our consciousness, expand our hearts, is if they get broken open.”Transcribed, those words read as woo-woo nonsense. But it is imperative you imagine how passionate Garfield is when he speaks them. He’s not grasping for poignance the way some actors do in their pursuit of pretentiousness.
As Garfield says these things, you are rapt. You have no choice. He commands your attention. Things that you would normally roll your eyes at and deem ludicrous suddenly become gospel. You’re not aware of how vigorously you’ve been nodding along. The grasp only strengthens when he begins connecting those ideas to what we’ve been experiencing—what he knows you, specifically, have been experiencing—during the pandemic.
Garfield is coming off a great year, the kind that a celebrity’s publicist could only dream of for their client. He has beenBecause of the high-profile roles he played and the award season carousel he rode——he has done countless interviews and talk show appearances. And because he was so self-effacing and willing to speak seriously about the themes of his films—not just in canned PR anecdotes—he accomplished the rare celebrity feat of not overstaying his welcome.
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