Anne Enright on Dublin, A Writer’s City: every house a writer, a character, a connection

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Anne Enright on Dublin, A Writer’s City: every house a writer, a character, a connection
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Anne Enright: Dublin, a Writer's City manages to be compendious in a small space, busy as the streets themselves and true to the remarkable spirit of a town

. Each chapter details an “emotional atmosphere”, and is lightly held together by a shifting and ineffable sense of place.

One of the strongest threads holding this gyroscopic study together is a conversation between Meehan and Eavan Boland, one poet from the north inner city, the other from the apparently unliterary suburbs, where much of the actual writing got done. The sameness and privacy of suburban houses also offered new possibilities for dislocation, allowing writers to escape Ireland even as they were living in it, or remembering it.

Dublin, A Writer’s City is full of these welcome, uncanny returns. There is George Moore making “a kind of creative havoc” in Ely Place alongside his neighbour Oliver St John Gogarty, not to mention Bram Stoker’s brother a few doors down. To every house a writer, a character, a connection. You might say that wealthy, old Dublin was as bad as the internet, these days – everyone was scribbling. Everyone thought they had something to say.

By moving away from Joyce and the old iconographies, Morash allows a new balance to emerge. It is good to see Leland Bardwell claiming her place in late Baggotonia, with boho salon to match that of Mary Lavin in Lad Lane.

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