Cate Blanchett delivers a tour de force as a musical genius corrupted by power in new film Tár.
Since Todd Field’s newest masterwork,"Tár," had its world premiere at the Venice Film Festival in early September, the filmmaker and his stars have shared a common message during interviews: It’s cinema’s job to pose difficult questions, but it’s the audience’s responsibility to answer them. The questions asked in “TÁR” — sprinkled through its nearly three-hour runtime — center on power dynamics, cancel culture and complicity.
As Lydia overplays her hand, and her personal life and professional success progressively implode, the film does an impressive job of withholding judgment and instead poses a series of questions to the viewer, beginning with: When does power use become power abuse? When asked by NBC News what she hopes viewers take away from “TÁR,” Hoss — an accomplished German actor and auteur muse — said she hopes “a conversation starts.”“That was my personal experience seeing the film, that I wanted to talk about it, because what I find so beautiful about it also is that there is no real judgment,” she said. “The director or the actors in it don’t interpret it for you.
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