When two 13-year-olds are no longer close, the fallout is unbearably sad, in Lukas Dhont’s anguished second feature
, the story of a young transgender woman auditioning for ballet school, which some found to be inauthentic, and an unwarranted fetishisation of a trans person’s body. It could well be that he will get more criticism for this new film on the grounds that the unselfconscious love and friendship between two 13-year-old boys is being catastrophised and problematised.
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