The first SXSW to transpire this decade felt less like the hectic and celebrity-dominated Fests of the 2010's and more like the accessible Aughts.
The first South by Southwest to transpire this decade felt less like the hectic and celebrity-dominated Fests of the 2010's and more like the accessible Aughts. A strong middle-class of indie acts – loaded with buzzy newcomers, international bands, and cult-status dignitaries – brought out the ideal amount of fans to where the clubs were full, but long lines were scarce. Over six days, our bullpen of adventurous scribes reviewed performances by over 50 acts from roughly a dozen countries.
She appeared to control the light show with outstretched arms, as her and Griff's visual tech reacted live to the imputed audio. It all looked quite epic under the church's giant cross, SXSW's most memorable backdrop. After half an hour of passionate gesture, Cifika packed up her things and quietly walked out the back of her former container.
Yet even as the band kept finding new pockets of twitchy calm to disrupt with bombastic fret breakdowns, never once did the earwormy songs misplace their core danceable thump. Likewise, overalls-clad frontwoman Ola Djupvik's delightfully strange stage presence was crucial in helping her ostentatiously talented bandmates set a breezy, crowd-pleasing tone.
Willie and his boys remain the main event, and the new set up served well as almost a song swap between them."In Loving Memory of Bobbie Nelson 1931-2022" projected on the back of the stage, and the more mellow arrangement fostered a sense of communion and even rejuvenation that extended to the crowd.
And those are the moments the crowd will remember: The roar of recognition from the syncopated keyboard chords that kick off"9 to 5," the stilling rendition of all-time great"I Will Always Love You," the breathless heart of"Coat of Many Colors." Parton embodied the urgency of"Jolene" and the satisfying lift of"Here You Come Again," fresh as the day she wrote them. If we needed the blockchain to take us there, sign me up.
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