Don't Worry Darling and suburbia as the ultimate nightmare | Digital Trends

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Don't Worry Darling and suburbia as the ultimate nightmare | Digital Trends
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OliviaWilde's DontWorryDarling is another entry into the cinematic genre obsessed with but terrified by the ultimate symbol of the American dream: suburbia.

We all know the vision: white picket fences, pastel-colored houses, green lawns, tall trees, mailboxes; children riding their bikes down the street, housewives wearing aprons and cooking pies, their delicious smell wafting out of the open window; husbands arriving late from work after a killer commute and struggling to keep a smile on their faces.

Settling down or just settling? The fear of settling is a powerful and prevalent theme in cinema. If ambition drives most of humanity’s greatest discoveries, settling down is basically a white flag of surrender. It signals that our time to change the world and “make a difference” has come and gone, and we’ve become watchers, rather than players, in the game of life. There’s a reason why so many young people think of settling down as a prison made out of white picket fences.

There’s nothing worse than being normal The suburbs invite normalcy; indeed, few settings are as homogenous as suburbia. At least in Hollywood’s imagination, these close-knit communities shun everyone that’s not white and good-looking, signaling them as undesirable and turning them into the dreaded other. These condemned figures make for wonderful protagonists because audiences will instantly relate to and root for them to bring down the establishment.

Hiding in plain sight In the otherwise awful 2004 remake of The Stepford Wives, while Glenn Close cheekily confesses her evil plot, she asks, “Where would people never notice a town full of robots? Connecticut!” There’s a reason suburbia is a favorite setting for thrillers and horror films, for who would ever think anything bad could happen behind these pristine doors? In fact, who would ever think anything could happen at...

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