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Róis's show is a glimpse of the freer, more unpredictable artist she could become, with a neo-Celtic vibe that begins to feel limiting, but is punctured by a dancier song and a cover of Donna Summer's I Feel Love.
A very good show and an exciting glimpse of the freer, more unpredictable artist Róis could becomearrives onstage dressed like a Victorian widow: a long black dress, black lace veil obscuring her face.
Behind her, the guitarist and drummer are similarly elegant but anonymous, their features concealed beneath full black masks. The visual language perfectly complements the music’s neo-Celticism, drawing on traditional Irish forms but filtering them through something creepier and a touch futuristic: ancient folk ritual that’s survived into a post-apocalyptic world.set draws from her latest release, Mo Léan. The opening stretch unfolds through textured, dreamlike arrangements, traditional keening refracted through electronic production, drones and spacious percussion.
Róis has an extraordinary voice, both intimate and ritualistic, and she inhabits the ethereal energy of the songs. Like the costumes, they’re acts of channelling, reaching back into an imagined past, but you also can’t help but wonder if it’s a tactic, a way of withholding anything personal or risky. The whole neo-Celtic vibe is a compelling, if not very novel, visual and musical vocabulary, but it begins to feel limiting when every song occupies the same haunted register.
The turning point comes midway through the set with the dancier Did Ye Ever Get the Ride at the Wake? which jolts the crowd awake, puncturing the solemnity. Suddenly people are dancing, not just swaying. That energy only builds with a thrilling cover of Donna Summer’s I Feel Love. Rather than feeling like an ironic detour, it reveals another side of Róis’s musical imagination, suggesting possibilities beyond the aesthetic she has established.
Glen Hansard died in single-vehicle crash in Dublin in early hours of WednesdayCyclists have their say: ‘I was hit from behind without warning and knocked off the bike’ When she allows the eclecticism of her own musical tastes in, it’s a breath of oxygen. A very good show, and an exciting glimpse of the artist Róis could become: one willing to let unexpected influences collide, opening up musical territory that’s freer and more unpredictable.
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Róis Glen Hansard Neo-Celticism Donna Summer Music
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