The three-part docuseries chronicles the meteoric rise and violent fall of the company behind those trucker hats that were ubiquitous in the early 2000s.
A reminder that just because something is trendy doesn't mean it's a good look.Then there’s the brand itself, so inextricably associated with a fixed spot in time that the sordid tale can’t help but feel like some reflection of the era itself. There’s certainly a story here, and Renzi has collected a list of subjects who should know it better than anyone.
This tendency toward coyness frustrates any attempt by the viewer to contextualize any of the information being lobbed at us. At one point in the first episode, a subject goes on what seems like an irrelevant detour about a childhood friend. While the details will prove to be pertinent later, it’s unclear in the moment what we’re meant to do with them, or how we’re meant to feel about them — or even if any it is true.
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