In the film 'Men,' a woman tries —unsuccessfully—to be alone 📝: Stephanie Zacharek (szacharek)
explores both angles, suggesting that men don’t know who they are anymore, which only leads them to act out in disastrous ways, locked in a state of radical insecurity that’s creating a nightmare for women. Even if he offers no clear solutions to this crisis, he throws his full weight into exploring it. Just be warned that the path he cuts is a thorny one.plays Harper, a young woman who escapes to a glorious English country house in the hopes of healing after her husband’s suicide.
For a few minutes, she finds it, reveling in the nearly fluorescent spring green of the trees, the patter of sudden raindrops, an echoey stone tunnel that amplifies both her voice and her relief at finally being alone. But then she sees a man—or just the vague form of a man—running toward her from the tunnel’s far end. She flees, eventually reaching the house and its seeming safety. Later, she’s horrified to find a naked man peering in at her from the house’s enormous windows.
A rotting deer, its eye socket viewed as a maggoty cosmic swirl; a church lectern with your standard traditional Green Man adorning one side and a lewd, anatomically suggestive female figure carved on the other; a terrifying development involving an ordinary, if not so subtly symbolic, mail slot.
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