The French artist-artisan, who has a background in fashion design, makes “anatomical armours” reimagining the history of femininity
observed from a young age the power of clothing to move us between our inner and outer realities. “I would see people transition from themselves into character,” she explains, “and I think that’s what initially inspired me to study costume.
“Somewhere along the way, I lost my relationship to the body,” she reflects, “and it’s at that moment that I began questioning the place of the individual within ready-to-wear clothing production.” Her graduate thesis,, examined this uneasiness between our individuality and the conformity of fashion systems, and considered that we already had made-to-measure clothing on us: our skin and the web of muscular fibres that lie beneath.
QUARANTAINE VESTIMENTAIRE JOUR n• 18/40 : «Lingua del fuoco» «langue de feu» manière codée de parler «ne pas avoir sa bouche dans sa poche
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