Considered one of the greatest portrait photographers in history, Judith Joy Ross’s images are built on radical degrees of vulnerability and trust on both sides of the lens
, a miraculous retrospective book edited by Joshua Chuang and co-published by the Fundación MAPFRE and Aperture, children were amongst Ross’s first photographic subjects, and have become her most enduring ones too.
So startling in their emotional acuity, Ross’s portraits beg the question: has she drawn out her subjects’ personhood or have they revealed themselves? Chuang believes both dynamics are at play: “Ross has said her wooden box camera works as a charm, but so does she, given the disarming attention she pays to the people before her.
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