‘Marlowe’ Review: Liam Neeson Is The Old-School Gumshoe In Neil Jordan’s Frisky Noir Pastiche

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‘Marlowe’ Review: Liam Neeson Is The Old-School Gumshoe In Neil Jordan’s Frisky Noir Pastiche
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World-weary gumshoe Philip Marlowe has been played most famously by Humphrey Bogart but also by James Garner, Elliott Gould, Robert Mitchum and sundry others. Enter Liam Neeson, 70 this year but st…

, 70 this year but still apparently capable of disabling five assailants at once with the right small arms and some smashable furniture in’s frisky film noir pastiche. He’s in tough company. He also has a tough crowd – film noir purists, who are legion – to please.

Everybody wants something on somebody else, says Marlowe at one point. There are a lot of everyones here, swapping Mickey Finns and barbed one-liners; just try to keep up. Mrs. Cavendish’s mother Dorothy , a former movie star, may or may not be her daughter’s love rival – not just for the missing man but for her own business partner and for Marlowe too, if either of these gals can swing a date. In the meantime, she tries to commission him as well.

It isn’t the first Marlowe film in color, but Jordan takes his color to the max, saturating it in golden light – sunshine outside and the glow of lamps inside – and then playing with that light, reflecting it from multiple mirrors, patterning entire scenes with stripes of shadow cast by Venetian blinds and sometimes peering through the refractions created by two windows in alignment. Similarly, the costumes could come from a “noir” dressing-up box.

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