In contrast to his corporate work, the work shown in his latest exhibition 'The Shape of the City' has an emphasis on minimalistic abstractionism.
The photos mainly feature subtle architecture, often zoomed in, with contrasted highlights either the subject or hidden to balance the image. As one slides their finger to scroll down his feed, the images shift in setting, but an intensity of contrast and aesthetics remain.
Krasner pointed to multiple of his images, pointing out the play on the intentional disparity in the elements of the photos. He tweaks his images for as much as two hours sometimes, exploring different compositions, colors and hues in a singular piece. Krasner is deliberate with every photo, making there be meaning and vividity in a seemingly simple part.
“It’s partially about the joy of seeing images and sort of translating them through the camera into my vision,” Krasner said. “More often than not, the images to me are not just pretty pictures they have some meaning to me, even like the really minimal.”