Place History: Avenue 50 and other Eastside havens from gentrification

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Place History: Avenue 50 and other Eastside havens from gentrification
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Gallery and reading venue Avenue 50 is just one of the Eastside spaces — from Plaza de la Raza to Other Books — where Latinx art and writing can breathe.

Highland Park has long been the heart of L.A.'s musical bohemia, home to Chicano punk and Billie Eilish. Now, COVID-19 threatens the scene’s very existence.

These gathering places are just one part of a resilient Eastside scene that cultivates working-class, queer and POC voices in a city whose cultural establishments do not often represent them. In recent years, they have fought hard against the rising costs and displacement that come with gentrification, especially in. Avenue 50 has seen its rent double since the last time it was sold; Gallegos had tried to buy the space then, but the Anglo owner had told her it “wasn’t for her.

and Gloria E. Alvarez, but hundreds of emerging writers have also performed. Current curator Sáenz said the series “bring[s] diverse authors to a diverse audience and make[s] it accessible to all.” The venue has also sponsored readings in laundromats and the Metro. The “Mask Required Project,” on display at Avenue 50 Studio. From left: “Paletero” by Alfonso Aceves and “RBG Forever” by David Botello.

Avenue 50’s mission is even broader than that. Housing a community pantry and, for a time, a vaccination site, it embodies how writers and visual artists can creatively address socioeconomic needs. The gallery bridges creative gaps through Alternative Field, a press that doubles as a multilingual lending library.

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