In an extract from a new collection of essays on women’s experiences in music, the chief executive of the record label famous for launching Nirvana looks back
It was September 1989 when I began my internship at Sub Pop Records in Seattle. I sat on the floor of the company offices, listening to Erica Hunter, Sub Pop’s one-person marketing team, call college radio stations in the hopes of them playing more. I was immediately amused by her strategy. “Hi. Is Robbie there? No? OK, can you please tell him that Erica Hunter from Sub Pop called? Yes, Erica Hunter as in Man Hunter.
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