Sundance 2023 dispatch: Gael García Bernal, Daisy Ridley, and Julia Louis-Dreyfus wow Park City
No great film needs likable protagonists. But you should at least hope for personalities who are compellingly unlikable. Making her feature debut as a writer-director, Alice Englert pours a lot of quirky personality into, a loose-limbed mother-daughter tale of reconciliation.
peppered with rough humor and cartoonish characters—like an influencer played by Dasha Nekrasova—as the story follows them unleashing their anger. In the aftermath, the most charming memory you might walk away with is a brief cameo by Jane Campion, Englert’s mother. The rest doesn’t rise above the privilege of its characters. [Tomris Laffly]Courtesy of Sundance Film FestivalWhat Gen-Xer didn’t have a youth partly defined by Michael J.
utmost sensitivity. Guggenheim’s biggest success here is letting Fox be in charge of his own narrative by telling his story himself, a decision that smartly eliminates all potentially problematic avenues in engaging with the incurable Parkinson’s dStill is a work of empowerment and empathy, a celebration of Fox’s life as an actor and philanthropist who rose to fame through the sitcomtrilogy, after years of struggling in L.A., cooped up at a tiny apartment with no prospects. Alongside editor Michael Harte’s masterful work, Guggenheim pieces together the beloved actor’s tale, mostly using scenes from Fox’s own shows and movies.
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