Everything Everywhere All at Once’s directors have been ready to take on the multiverse
is a mouthful to say. The movie’s title is also the most succinct and accurate way of describing what co-directors Dan Kwan and Daniel Scheinert — the Daniels — wanted to dig into with their latest feature.
The multiverse, like Michelle Yeoh, is having kind of a moment right now as a concept, and I wanted to hear from you both about your feelings about it as a narrative device outside of the comic book trappings a lot of people might be more accustomed to seeing it in.As filmmakers, the multiverse should scare all of us. It’s anti-story when you think about it.
I don’t think this feeling is that unique because I think life has always been chaos, but we’ve never been so close to the chaos before. It’s literally in our pocket every day. I hope that this film in some weird way, as chaotic as it is, will connect with audiences because they recognize this life and themselves in it.
I think a lot of cinematic love letters are so precious that they try to contain the thing and keep it what it was — this immovable, static thing. I think what we did by accident was we created a love letter to Michelle Yeoh in which we gave her that space to grow, which is what real love is, right? This movie was able to hold all of her past in a small pocket, but also, it just opens up the world and says “you deserve to show off so much more of who you are and what you’re capable of.
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