When thinking of Western genre icons, John Wayne and Clint Eastwood often come to mind. It wasn’t until Mario Van Peebles’ 1993 film Posse was released and the first of its kind to truly go m…
) gang that participated in the slaughter of his parents. With the gang gone and Rufus in jail, Love aims to get back to a normal life with his love interest, Stagecoach Mary . His dreams come to a halt when Rufus’ closest confidants Trudy and Cherokee Bill rescue him from the Army. Rufus has some goals of his own, the main one being to turn the majority Black town of Redwood into a utopia for other Black folks, but he needs lots of money to make it happen.
There is an overemphasis on modernity which serves as a strength and weakness. While watching, it’s easy to forget it’s a Western. This is due in part to the music that at times is overbearing, and disrupts the authentic flow of the narrative.is iconic because it solely exists in a space and time that’s particular to the genre. Don’t get it twisted, this is a minor observation compared to‘s entertainment factor, and its ballsy brutality.
Buck understands the cycle of violence will come back to haunt him one day, but had some revenge of his own to tend to and there were some casualties. However, viewers might find themselves muttering, “Was he wrong for that, though?” The only issue here is Buck has a major emotional and informational reveal in the last 15 minutes of the film that could have given the protagonist an even stronger emotional conflict had it been presented sooner.
Nothing should be one way forever, and this genre of film is prime for deconstruction and reinvention as old stories should cover new ground with fresh representation. We can be heroes, villains and everything in between and that is the strongest component of. Not only that but this movie is vicious, unapologetic, ballsy, and has moments of levity to balance out the brutality. Is it perfect? No, but it might be a mainstream revitalization of a genre many thought was long dead.
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