Incredible 💥
The idea back then was “using the existing to create the new”, after all: this time, that includes last season. That’s kind of tantamount to heresy in fashion, predicated as it is on its own inbuilt obsolescence. But here, ideas from that show were revisited, reexamined and refreshed. It was a total rerun, of course: in fact, there was a lot that not only seemed new, but was.
The Spring Miu Miu collection has been remarkable for its universal resonance: that includes with male consumers. A few brave male souls, after very many hours in the gym, sliced up trousers, button-down shirts and sweaters into midriff-baring Halloween homage outfits last October, just weeks after the show. It was indication of that collection’s ‘going viral’, in a way very little fashion actually does. On an entirely personal note, I’ve also bought a bunch of it.
That, in turn, has resonated back with Miuccia Prada. The casting of this show was remarkable for the breadth of its gender diversity, embracing all identities. Pieces didn’t seem like womenswear on men, or vice versa: they were just clothes, on people, without boundaries or limitations. That felt freeing, and profoundly modern.
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