Marry Me is the exact kind of update rom-coms needed, led by genre royalty. sydurbanek 's review:
When it comes to the romance genre, the fake relationship is something of an institution. One of the trope’s more extreme iterations is the marriage of convenience: Popular among historical romances in particular, two characters become spouses for reasons other than love—to protect a young lady’s reputation, perhaps, or maybe because a duke wishes to acquire some land andnot to defibrillate his long-ago-atrophied heart.
Kat Valdez and Bastian are two of the biggest pop stars in the world. They’re also madly in love, or at least it looks that way from their Instagram feeds. In a stunt to rival one of Kris Jenner’s, the two are set to exchange vows in front of a combined 20 million viewers during one of Kat’s concerts in New York City. It’s the pop culture event of the year, with enough brand integration to make one’s head spin.
When Kat’s manager Collin presents her with a plan to pay Charlie off and send him packing, she surprises everyone by suggesting that they instead “hit the gas and turn into it.” It’s her fourth marriage, so maybe it’s wisest to stay together long enough to regain control of the narrative. At the press conference where they spin Kat’s actions as a sort of feminist statement, it’s clear that she and Charlie sit at opposite ends of the idealism-realism spectrum, respectively.
Of course, going their separate ways looks less and less attractive as time passes, and their attraction grows. But the strangeness of their pairing remains an issue for the lowly Charlie, who isn’t sure that—especially after “Marry Me” scores Kat her first-ever Grammy nom, bringing a remorseful Bastian back into her orbit. As with the best of the rom-com genre, the film is committed enough to its own shtick that any on-paper silliness doesn’t end up mattering that much.
. It also harkens back to the time when studios put real budgets behind the romantic comedy, as celebrity cameos abound and most of the film is soundtracked by original music from Valdez/Lopez and Bastian/Maluma.meta-commentary on the gilded cage of being a chart-topper. The montage footage we get of Kat is often J. Lo, and there will surely be people connecting the film to a certain phoenix-tattooed Bostonian.
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