“I don’t really know the difference between art and craft,” says the Parisian jeweller and maker, who creates bespoke pieces interpreting her clients’ lives
has just done, isn’t great news for a silversmith – not that she would ever call herself one. Speaking from her apartment in the up-and-coming suburb of Montreuil, the 25-year-old explains how the outsider feel of her folkloric jewellery is just that. She uses self-taught skills honed by trial and error. But far from irrelevant, studying textile design in Lyons and Brussels has also influenced her work.m.
“I don’t really know the difference between art and craft, but I only make things you can wear or use. Whether it’s a rug or a ring, it must be something you can experience for years, get dirty and repair.” This emphasis on longevity is reflected in the timelessness of Mohm’s work; she hates the idea of someone falling out of love with her pieces because they no longerCrafted at home , each piece is custom, even the limited drops in stores. Every commission begins with Mohm asking the client for images and symbols that mean something to them. The skill then is in connecting the parts to build a narrative in 3D, sketching out her initial ideas on paper.
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