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that director Bart Layton"uses some incredibly slick narrative devices to blur the lines between regular documentaries and something that feels much closer to narrative fiction, making you constantly feel like you're watching a twisty Hollywood thriller, instead of something that"Layton would have a hand in the return to the originally great ratio of reality-vs-fiction, when he executive-produced this year's, which remains the best original content that Netflix has put out in...
"There were, of course, documentaries that felt like they were telling blockbuster, populist stories - Man on Wire and Catfish immediately come to mind - but The Imposter feels like the exact point when documentaries started thrilling audiences just as well, if not better, than Hollywood could.
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