In his review of 'Radial Gradient,' critic Chris Jones writes: 'I’ve seen plenty of progressive young artists go after elite institutions in my time. But this one is notable not just for the force of its point of view, but for the precision of the barbs.'
As well they should. “Radial Gradient” is a lousy title that won’t sell a ticket on its own.
Sharma has as whole lot to say here, much of it involving how a system so fundamentally rooted in judgment and elitism has learned how to speak the new campus language of equity and inclusion without actually changing the fundamentally damaging way it functions. There’s some zesty lampooning of diversity chairs, “planning panels no one shows up to,” and a wry observation of how the need to support inclusion usually devolves into an extra course load for students of color.
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